A great article on trying to pinpoint how exactly we can qualify certain books as ‘queer.’ This gets especially tricky with older titles where many of our contemporary markers of queerness are not legible (such as in Virginia Woolf’s work–I’ve had many people claim Orlando is not queer…umm?) or with books about younger people (such as tomboys) who may not identify as LGBTQ yet, or have even had queer experiences (i.e., Harriet the Spy!). It’s great to see this post critiquing an author who is trying to distance himself and his book from the category ‘gay.’ As I wrote in my comment, he’s accepting the stigma of the label gay and trying to reject the label, instead of questioning the stigma, which is the real problem here. Just because a book is queer, doesn’t mean a) it’s not a well-written book with literary merit and b) the book doesn’t also equally belong in other categories, such as young adult, or Canadian, or fantasy.
I have many of these same qualms about considering certain authors ‘Canadian’; if they’re residents of Canada but citizens of other countries can I count them as Canadian? Am I discounting writers’ backgrounds/homes in other parts of the world by calling them Canadian? What if they live in other parts of the world but write about Canada? What if they live in Canada but don’t write about the place or people from it? And how exactly do Indigenous authors fit into this equation, since it seems that the category ‘Canadian’ is at best irrelevant and at worst insulting and colonialist?
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- “in the ancestral arms / of every season / I am heir to”: A Review of Gwen Benaway’s Poetry Collection PASSAGE
- 5 Incredible Two-Spirit and Queer Indigenous Writers to Read Right Now
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